Every song you've released should be a registered, protected, money-collecting asset. In six weeks, the Catalog Cohort gets your entire catalog there — then shows you how to press it to vinyl and pitch it for sync.
Artists don't lose money because nobody's listening. They lose money because nobody registered the song.
You're not auditing alone. A full cohort of artists, one system, same mission — with Muso.AI, Too Lost, Musixmatch, and DISCO in the room.
Credits, splits, registrations. One song at a time, no guessing what's next.
Every song scored A to F in the open, with the exact steps to raise the grade.
Compare grades, share fixes, and watch catalogs level up in real time.
Weeks 1 to 4 build the asset. Weeks 5 and 6 monetize it.
Import your whole catalog and see your grade for the first time. ISRC, UPC, release dates, genres, verified credits. All four industry accounts opened tonight.

Get verified, claim your catalog, and fix the lyrics that are wrong on DSPs right now. Then turn one song into fifteen pieces of content.

Every song documented at 100% on both master and publishing. Split sheet templates, retroactive splits, and when you actually need a lawyer.
Legal templates includedPRO, MLC, and SoundExchange — filed using confirmed splits. Plus searching for the unclaimed money already sitting in your name.



Real vinyl economics: run sizes, true costs, honest lead times. Leave with a pressing plan and a pre-order campaign that funds the run.

The capstone. Build a supervisor-ready library, produce the deliverables that quietly cost artists placements, and learn to answer a brief.

Pre-cohort open call August 27. Six weekly sessions, September 8 through October 13. Lock $50/mo for 1 year. Cancel anytime. Once doors close on August 31, the next cohort isn't until next quarter.

"It's a blessing to be plugged into a priceless resource."

"24/7 Artists changed the game for me."

"24/7 has been the biggest reason I feel equipped and confident navigating the music industry."

"Working with a team that shows you how to actually build a career is everything."
Live grading, weekly calls, community, playbooks.
One snapshot. No system. No follow-up.
One conversation about your splits. Then the meter runs.
The most expensive line on this page — and you're already paying it.
September 8, with a pre-cohort open call on August 27. Six weekly sessions run through October 13 — Sept 8, Sept 14, Sept 21, Sept 28, Oct 5, and Oct 13, all 6:00–7:30 PM ET. Doors close August 31 — after that, the next cohort isn't until next quarter.
Yes — a small catalog is the easiest one to get right. You'll finish the six weeks with every song graded, registered, and documented, plus the system to keep it that way as you release.
That's exactly what the daily tasks and live grading sessions untangle — one song at a time, with templates for split sheets and the exact registrations to file.
Week 5 is a full session on it — run sizes, real costs, sequencing, and pre-order campaigns that fund the press run before you pay for it. Be realistic on timing: pressing takes 10 to 14 weeks, so an October order lands in Q1, not under the tree. We'll show you how to sell it at Christmas and ship in January.
It's the one revenue stream where being independent is an advantage — a supervisor on deadline will take a one-stop indie track over a major-label clearance every time. But they reject unclear rights instantly. Weeks 1 through 4 are what make you pitchable, and Week 6 is where you build the library and learn to answer a brief.
No. Everything is recorded and posted same-day. Live gets you graded in the open — but the system works async too.
This isn't passive content. It's a working cohort with daily tasks on your actual catalog, live grading, and industry partners — Muso.AI, Too Lost, Musixmatch, DISCO — in the room.
Anytime. The $50/mo cohort rate stays locked for a year as long as you're a member.
Free members get our educational content and basic use of the tools. Plus unlocks the full Education Suite. Pro is the cohort: live weekly strategy calls, the full playbook, royalty audits, and office hours where you work on your own releases alongside the community.
Absolutely. If you're a manager or label and want to join the cohort, let us know when you sign up and we'll help you support your artist.
Almost every genre. We've helped artists win Grammys in Jazz and Hip-Hop, charting artists in R&B, touring singer-songwriters, and a rock artist who won The Voice. The strategy is genre-agnostic.